{"id":145,"date":"2026-01-17T12:04:31","date_gmt":"2026-01-17T12:04:31","guid":{"rendered":"https:\/\/sarahlesnikoski.com\/?page_id=145"},"modified":"2026-04-05T13:50:33","modified_gmt":"2026-04-05T13:50:33","slug":"fragments-lost","status":"publish","type":"page","link":"https:\/\/sarahlesnikoski.com\/?page_id=145","title":{"rendered":"Fragments Lost"},"content":{"rendered":"\n
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Installation view of Fragments Lost,<\/strong> Annenberg Gallery, Pennsylvania Academy of the Fine Arts, 2022.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"sarah
gone but not forgotten<\/strong>, 2020
Oil on paper, 5×7 in<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"sarah
Cue the Impossible (once more)<\/strong>, 2021
Photocopies of oil paintings, ink jet prints, craft paper, enamel, 40×30 in<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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separated at myth<\/strong>, 2020
Oil on paper, 5×7 in<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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still crossing the road<\/strong>, 2020
Oil on paper, 5×7 in<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Anonymous public art exhibit at Haus der Statistik in Berlin, 2019.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

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Bile Abide<\/strong>, 2019
La Brea tar, oil and turpentine, (pink) Glass bottle<\/figcaption><\/figure>\n\n\n\n

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Joan Brown, Self Portrait,<\/strong> 1977
Oil on canvas, 90.62 x 72.62 x 4.25 in<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Incurable Human<\/strong>, Live art, Installation art, 2019
Tar, enamel, craft paper, books: (top to bottom – Fairy Tales and Stories by Hans Christian Anderson, The Age of the Crisis of Man: Thought and Fiction in America 1933-1973 by Mark Greif, Hemingway\u2018s For Whom the Bell Tolls, Homer\u2019s Iliad, Silent Partners: Artist and Mannequin from Function to Fetish by Jane Munro)<\/figcaption><\/figure>\n\n\n\n
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Empty Gesture<\/strong>, 2019
Oil on linen, 5×7 in<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Hack(Ed)<\/strong>, 2020-21
Oil on wood panel, 8.27 x 11.69 in<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

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Anonymous street dialogue in Berlin, 2019.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Clamoring of the Wrong<\/strong>, 2020
Oil on paper, 5×7 in.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Try Not, Script for Five Voices<\/strong>, 2020
Oil on wood panel, 12×12 in<\/figcaption><\/figure>\n\n\n\n
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Haus der Statistik, Berlin.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Edouard Manet’s Portrait of Eva Gonzal\u00e8s<\/strong>, 1870
Oil on canvas
75.23 \u00d7 52.52 in<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Installation view of Cue the Impossible (once more)<\/strong> at Haus der Statistik in Berlin, 2021.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Hackman<\/strong>, 2020-21
Live art, Inkjet print, Oil on wood panel, 8.27 x 11.69 in (each)<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Waiting for the Cue<\/strong>, 2020
Oil on paper, 5×7 in (each)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Detail of Success in Circuit lies<\/strong>, (One channel video [44 sec], Installation, and Live performance), 2022.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Detail of Success in Circuit lies<\/strong>, (One channel video [44 sec], Installation, and Live performance), 2022.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"sarah
Frame from Success in Circuit lies<\/strong>, (One channel video [44 sec], Installation, and Live performance), 2022.<\/figcaption><\/figure>\n\n\n\n
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